Tracklist

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CD 1
# Title Artist Rating Length
1 King of the Road The King 2:05
2 Bohemian Like You The Dandy Warhols 4.05 3:31
3 Dancing in the Moonlight Toploader 5 3:49
4 Before You Leave Pepe De Luxe 5:34
5 Goodnight Moon Shivaree 4 4:05
6 Believe in Us Jay-Jay Johanson 3 4:27
7 Somethin' Stupid Robbie Williams & Nicole Kidman 3 2:50
8 Gentle on My Mind Dean Martin 5 2:44
9 Fever Peggy Lee 4.5 3:21
10 What a Difference a Day Makes Dinah Washington 3 2:30
11 It's a Man's Man's Man's World James Brown 5 2:47
12 You Are So Beautiful Joe Cocker 2:45
13 What a Wonderful World Louis Armstrong 4 2:19
14 Let the Music Play Barry White 4 3:36
15 Supersexy Girl Fundación Tony Manero 3:54
16 It Must Be Love Madness 4 3:22
17 Satisfy My Soul Paul Carrack 3:28
18 Gold Spandau Ballet 3.5 3:50
CD 2
# Title Artist Rating Length
1 Mucho mejor Ariel Rot 4:04
2 Delgadito La Rabia 4:08
3 La barbacoa Georgie Dann 4:17
4 María Isabel Los Payos 3:19
5 I Get Around The Beach Boys 2:14
6 Garota de Ipanema (The Girl from Ipanema) Antonio Carlos Jobim feat. Stan Getz, João Gilberto, Astrud Gilberto 5:23
7 True Spandau Ballet 3.55 5:38
8 Side Travis 4 3:53
9 Big World Emilia 3:24
10 Upside Down A★Teens 2 3:14
11 Kung Fu Fighting Carlos Jean 3:46
12 Face to Face Carlos Jean 3:47
13 Sabbatical De‐Phazz 3:52
14 Porcelain Moby 3.25 4:02
15 Las lenguas Mr. Delay Men vs Marta Carlim 3:00
16 We Baba Omncane Busi Mhlongo 5:38
17 Roll Over Beethoven Electric Light Orchestra 6:43

Credits

CD 1

recorded in:
New York, New York, United States (1966-02-16) (track 11)
New York, United States (1967-08-16) (track 13)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (track 13)
Jerome Richardson (track 13)
drums (drum set):
Grady Tate (track 13)
Shelly Manne (1958-05) (track 9)
Panama Francis (US swing jazz drummer) (1959) (track 10)
Bernard “Pretty” Purdie (1966-02-16) (track 11)
trumpet:
Louis Armstrong (track 13)
Clark Terry (American swing trumpeter) (track 13)
Joe Wilder (track 13)
Dud Bascomb (Sr., jazz trumpeter) (1966-02-16) (track 11)
Waymon Reed (1966-02-16) (track 11)
Lammar Wright (1966-02-16) (track 11)
finger snaps:
Howard Roberts (jazz guitarist, educator, session musician and producer) (1958-05) (track 9)
Peggy Lee (jazz vocalist) (1958-05) (track 9)
membranophone:
John Keeble (1982) (track 18)
flute:
Sam Marowitz (saxophonist and clarinetist) (track 13)
Jerome Richardson (track 13)
Daniel Trimboli (track 13)
Jerome Richardson (1959) (track 10)
guitar:
Allen Hanlon (jazz guitarist) (track 13)
Art Ryerson (track 13)
Willard Suyker (track 13)
Kenny Burrell (1959) (track 10)
Billy Butler (jazz guitarist) (1966-02-16) (track 11)
Gary Kemp (1982) (track 18)
bass:
Joe Mondragon (1958-05) (track 9)
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (1982) (track 18)
double bass:
Russ Savakus (track 13)
Milt Hinton (1959) (track 10)
percussion:
Warren Hard (track 13)
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (1982) (track 18)
keyboard:
Jess Bailey (1982) (track 18)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (track 13)
Daniel Trimboli (track 13)
saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (1982) (track 18)
piano:
Hank Jones (track 13)
Joe Zawinul (jazz and fusion keyboard player) (1959) (track 10)
baritone saxophone:
Raymond Stanfield (track 13)
Charles Davis (saxophone player) (1959) (track 10)
Haywood Henry (US jazz saxophonist) (1966-02-16) (track 11)
tenor saxophone:
Jerome Richardson (track 13)
Daniel Trimboli (track 13)
trombone:
Urbie Green (track 13)
J.J. Johnson (Jazz/bop trombonist/session leader) (track 13)
arranger:
Steve Sidwell (English composer & wind instrumentalist) (track 7)
Barry White (track 14)
Belford Hendricks (track 10)
Gene Page (track 14)
chorus master:
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (1967-08-16) (track 13)
composer:
John Hartford (track 8)
Sherman Kelly (track 3)
Gary Kemp (track 18)
Carson Parks (track 7)
Labi Siffre (track 16)
Barry White (track 14)
María Grever (track 10)
conductor:
Steve Sidwell (English composer & wind instrumentalist) (track 7)
Belford Hendricks (1959) (track 10)
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (1967-08-16) (track 13)
engineer:
Eddie Brackett (track 13)
Alan Douglas (Scottish born engineer) (track 3)
Frank Kejmar (engineer) (track 14)
Bob Simpson (US jazz engineer/producer) (track 13)
guest organ:
Erik Gavriluk (track 2)
lead vocals:
Dinah Washington (1959) (track 10)
James Brown (“The Godfather of Soul”) (1966-02-16) (track 11)
Louis Armstrong (1967-08-16) (track 13)
Tony Hadley (1982) (track 18)
lyricist:
Stanley Adams (US lyricist & songwriter) (track 10)
John Hartford (track 8)
Sherman Kelly (track 3)
Gary Kemp (track 18)
Carson Parks (track 7)
Labi Siffre (track 16)
Barry White (track 14)
mixer:
Dave Sardy (track 2)
Greg Fidelman (track 3)
Dave Shiftman (American producer/audio engineer) (track 3)
Al Schmitt (track 7)
orchestra:
Belford Hendricks' Orchestra (1959) (track 10)
performer:
Spandau Ballet (1982) (track 18)
producer:
Guy Chambers (English songwriter and record producer) (track 7)
George Drakoulias (track 3)
Steve Jolley (track 18)
Clyde Otis (American songwriter and record producer) (track 10)
Steve Power (track 7)
Dave Sardy (track 2)
Spandau Ballet (track 18)
Tony Swain (track 18)
Bob Thiele (producer & songwriter) (track 13)
Barry White (track 14)
James Brown (“The Godfather of Soul”) (track 11)
vocals:
Nicole Kidman (actress) (track 7)
Dinah Washington (track 10)
Robbie Williams (track 7)
Peggy Lee (jazz vocalist) (1958-05) (track 9)
writer:
James Brown (“The Godfather of Soul”) (track 11)
Eddie Cooley (track 9)
John Davenport (songwriter Otis Blackwell) (track 9)
George Douglas (track 13)
Bruce Fisher (track 12)
Duke McVinnie (track 5)
Betty Jean Newsome (track 11)
Ambrosia Parsley (track 5)
Billy Preston (track 12)
George David Weiss (track 13)
phonographic copyright by:
Capitol Records, Inc. (not for release label use; company behind the “Capitol Records” imprint) (1958) (track 9)
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (1968) (track 13)
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (2000) (track 3)
publisher:
Abilene Music Inc. (track 13)
Carlin Music Corp. (tracks 9, 13)
Chrysalis Music (music publisher, ASCAP-affiliated) (track 16)
Chrysalis Songs (track 9)
EMI Music Publishing (do not use as a release label!) (track 10)
EMI U Catalog Inc. (publisher; do NOT use as release label) (track 3)
Ensign Music Corp. (track 8)
Fort Knox Music (track 9)
Fort Knox Music Co (track 9)
Greenwood Music (track 7)
Jay & Cee Music (track 9)
Lark Music Ltd. (track 9)
Maurice Music (track 10)
Memory Lane Music (publishing company) (track 13)
Montclare Music (track 7)
Quartet Music Inc. (track 13)
Stanley Adams Music (track 10)
Trio Music (track 9)
Trio Music Company (track 9)
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (tracks 3, 13)
フジパシフィック音楽出版 (– 2014-12-31) (track 13)
フジパシフィックミュージック (2015-01-01 –) (track 13)
mixed at:
Ocean Wave Studios (track 3)
recorded at:
Talent Masters Studios in New York, New York, United States (1966-02-16) (track 11)
additionally sampled by:
edit of:
Let the Music Play (LP version) by Barry White (track 14)
has remixes:
mash-ups:
music videos:
sampled by:
Tradin’ War Stories (explicit) by 2Pac feat. Dramacydal, C-Bo & Storm (track 11)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123) (order: 122) (track 11)
Indie 88: Top 500 Indie Rock Songs (number: 449) (order: 449) (track 2)
cover recording of:
Gentle on My Mind (track 8)
It Must Be Love (track 16)
Somethin’ Stupid (track 7)
Fever (1958-05) (track 9)
What a Diff’rence a Day Made (1959-06 – 1959-08) (track 10)
is based on:
is the basis for:
Horny as a Dandy (track 2)
later parody versions:
later translated parody versions:
Blöde Worte (track 7)
Bundesrat (track 7)
Fieber (track 9)
Humppaboheemi (track 2)
later translated versions:
Ces mots stupides (track 7)
Docteur (Fever) (track 9)
Fever (track 9)
Fieber (track 9)
Fieber (track 9)
Kuume (track 9)
Noe så dumt (track 7)
Nånting fånigt (track 7)
So was Dummes (track 7)
フィーバー (track 9)
獨腳戲 (track 7)
later versions:
Visor (track 9)
recording of:
Bohemian Like You (track 2)
Goodnight Moon (track 5)
Let the Music Play (track 14)
It’s a Man’s Man’s Man’s World (1966-02-16) (track 11)
What a Wonderful World (1967-08-16) (track 13)
Gold (1982) (track 18)
referred to in medleys:

CD 2

guitar:
Esbjörn Öhrwall (track 10)
guitar and ukulele:
Pedro Gonzales (German guitarist) (track 13)
bass:
Thomas Lindberg (track 10)
keyboard and trombone:
Otto Engelhardt (track 13)
additional vocals:
Pilar Basso (track 14)
arranger:
Grizzly (Gustav Jonsson) (track 10)
Tysper (track 10)
background vocals:
A★Teens (track 10)
Jeanette Olsson (track 10)
Tysper (track 10)
composer:
Fran Healy (track 8)
Gary Kemp (track 7)
Moby (electronic musician Richard Melville Hall) (track 14)
Brian Wilson (Beach Boys co-founder) (track 5)
Chuck Berry (1956-01) (track 17)
engineer:
Moby (electronic musician Richard Melville Hall) (track 14)
guest vocals:
Malabar (track 11)
lyricist:
Fran Healy (track 8)
Gary Kemp (track 7)
Mike Love (Beach Boys) (track 5)
Moby (electronic musician Richard Melville Hall) (track 14)
Vinicius de Moraes (track 6)
Brian Wilson (Beach Boys co-founder) (track 5)
Chuck Berry (1956-01) (track 17)
mixer:
Nigel Godrich (track 8)
Joakim Styrén (track 10)
Moby (electronic musician Richard Melville Hall) (track 14)
performer:
Spandau Ballet (track 7)
Moby (electronic musician Richard Melville Hall) (track 14)
producer:
Grizzly (Gustav Jonsson) (track 10)
Nigel Godrich (track 8)
Steve Jolley (track 7)
Spandau Ballet (track 7)
Tony Swain (track 7)
Moby (electronic musician Richard Melville Hall) (track 14)
Tysper (track 10)
recording engineer:
Grizzly (Gustav Jonsson) (track 10)
Tysper (track 10)
vocals:
Moby (electronic musician Richard Melville Hall) (track 14)
writer:
Gustav Jonsson (track 10)
Marcus Sepehrmanesh (track 10)
Tysper (track 10)
phonographic copyright by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (1999) (track 14)
publisher:
Arc Music (U.S. rock & blues publisher) (track 17)
Arc Music Corp. (U.S. rock & blues publisher) (track 17)
Irving Music, Inc. (track 5)
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) (track 17)
Little Idiot Music (track 14)
Sea of Tunes (track 5)
Sony/ATV Music (track 8)
Stockholm Songs (track 10)
Universal Music Publishing Group Japan (work publisher - do NOT use as a release label) (track 5)
Victor Music Arts (track 5)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (track 14)
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (track 14)
Yamaha Music Publishing (– 2017-03-31) (track 5)
Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (2017-04-01 –) (track 5)
edits:
Porcelain (single version) by Moby (track 14)
has remixes:
La barbacoa by Fourth Core (track 3)
mash-ups:
samples:
part of:
The Downloader’s Music Source Book (number: 18) (order: 18) (track 10)
Indie 88: Top 500 Indie Rock Songs (number: 309) (order: 309) (track 14)
cover recording of:
Roll Over Beethoven (track 17)
is the basis for:
As I Am (track 7)
later translated parody versions:
Tschäss (track 6)
later translated versions:
Ipaneman tyttö (track 6)
La Fille d'Ipanema (French version) (track 6)
Repose Beethoven (French translation) (track 17)
イパネマの娘 (track 6)
later versions:
Bye-bye Cherry (track 5)
Correte Beethoven (track 17)
recording of:
Garota de Ipanema (track 6)
I Get Around (track 5)
Porcelain (track 14)
Side (track 8)
True (track 7)
Upside Down (track 10)
referred to in medleys:
Beach Boys Medley (order: 3) (track 5)