Tracklist

CD 1
# Title Artist Rating Length
1 Summer (Allegro non molto) Antonio Vivaldi 5:57
2 Summer (Adagio-presto) Antonio Vivaldi 2:27
3 Summer (Presto) Antonio Vivaldi 3:03
4 The Swan Camille Saint‐Saëns 2:58
5 Rondo alla Turca Wolfgang Amadeus Mozart 3:28
6 Les Toréadors (from Carmen) Georges Bizet 2:22
7 Scene from Swan Lake Ludwig van Beethoven 3:09
8 Flower Duet (from Lakme) Léo Delibes 6:00
9 Can Can Jacques Offenbach 3:16
10 Liebestraum Franz Liszt 4:34
11 Träumerei Robert Schumann 3:10
12 Notturno (from Coppelia) Léo Delibes 2:41
13 Wiener Bonbons Johann Strauss II 3:50
14 Venetian Gondola Song Felix Mendelssohn 3:02
15 Nocturne, op. 92 Fryderyk Chopin 4:17
16 Rejouissance (from Fireworks Music) George Frideric Handel 1:55
17 Barcarole June Пётр Ильич Чайковский 3:42
18 Waldesruhe Antonín Dvořák 4:58
19 Claire de lune Claude Debussy 4:55
20 Flight of the Bumblebee Николай Андреевич Римский‐Корсаков 1:17
21 Andante Elvira Madigan (from Piano Concerto no. 21) Wolfgang Amadeus Mozart 6:49

Credits

CD 1

composed in:
Paris, Île-de-France, France (1778) (track 5)
violin:
Werner Riessmann (violin player) (track 3)
cello:
Zara Nelsova (1974-05) (track 18)
piano:
Sara Crombach (track 4)
Misha Goldstein (pianist) (tracks 10–11, 14–15, 19)
Derek Han (pianist) (1992) (track 21)
Klára Würtz (pianist) (1998) (track 5)
Alexander Warenberg (pianist) (2000-12) (track 17)
piano and violin arranger:
Camille Saint‐Saëns (composer) (1886) (track 4)
composer:
Georges Bizet (composer) (track 6)
Léo Delibes (composer) (track 8)
Camille Saint‐Saëns (composer) (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 17)
Antonio Vivaldi (1723) (tracks 1–3)
Wolfgang Amadeus Mozart (classical composer) (1783) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 21)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1876) (track 7)
Claude Debussy (1890 – 1905) (track 19)
Antonín Dvořák (composer) (1893-10-28) (track 18)
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (1899 – 1900) (track 20)
conductor:
Enrique Bátiz (conductor and pianist) (tracks 6–8, 12)
Álvaro Cassuto (Portuguese composer and conductor) (track 1)
Ondrej Lenárd (conductor) (tracks 9, 13)
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) (tracks 1–3)
Sir Neville Marriner (conductor) (track 16)
Alexander von Pitamic (pseudonym for Alfred Scholz) (track 2)
Loris Tjeknavorian (track 20)
Bohdan Warchal (violinist, conductor) (tracks 1–3)
Walter Süsskind (conductor) (1974-05) (track 18)
Paul Freeman (classical conductor) (1992) (track 21)
dedicated to:
Hanuš Wihan (track 18)
engineer:
Peter Arts (producer/engineer) (track 5)
Bob Auger (audio) (1992) (track 21)
Arts Music Recording (Recording studios, Rotterdam) (track 17)
librettist:
Philippe Gille (track 8)
Edmond Gondinet (track 8)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym) (track 3)
Musici di San Marco (an Alfred Scholz pseudonym) (tracks 1–3)
Royal Philharmonic Orchestra (tracks 7–8, 12)
Slovak Chamber Orchestra (tracks 1–3)
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (tracks 9, 13)
St. Louis Symphony Orchestra (1974-05) (track 18)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1992) (track 21)
producer:
Arts Music Recording (Recording studios, Rotterdam) (track 17)
Antony Hodgson (track 21)
Pieter van Winkel (track 5)
recording engineer:
Peter Arts (producer/engineer) (track 5)
premiered at:
[concert] (1894-12-16) (track 18)
publisher:
Jenkinsongs Ltd. (track 8)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London, which includes the City of London), England, United Kingdom (1992) (track 21)
part of:
Works of Antonín Dvořák by opus number (number: op. 65/5) (order: 69) (track 18)
Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 182) (order: 148) (track 18)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 4)
arrangements:
Carmen (arrangement for strings by Louise-Andrée Baril) (track 6)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 6)
Clair de lune (for cello and piano) (track 19)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 21)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 21)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 20)
Flight of the Bumblebee (for cello and piano, Strimer) (track 20)
Flight of the Bumblebee (for choir, Swingle) (track 20)
Flight of the Bumblebee (Stokowski transcription) (track 20)
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 20)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 20)
Flower Duet (Lakmé) (catch-all for arrangements) (track 8)
Le Vol du bourdon (for organ, Saint-Martin) (track 20)
Rondo Alla Turca (Turkish March From Sonata in A) (for banjo, arr. Charles Wood) (track 5)
Rondo alla turca (arr. Ellerby) (track 5)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 19)
Suite bergamasque : III. Clair de lune (arr. Phyllis Schlomovitz for harp) (track 19)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (track 19)
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for viola and piano, Borisovsky) (track 19)
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for flute and piano, Kolman) (track 19)
Suite bergamasque, L75: III. Clair de Lune (Transcription for harp) (track 19)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 20)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 20)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 20)
The Seasons, op. 37: VI. June “Barcarolle” (for piano trio, Goedicke) (track 17)
The Seasons, op. 37a: VI. June “Barcarolle” (catch-all for arrangements) (track 17)
Полёт шмеля (Flight of the Bumblebee; catch-all for arrangements) (track 20)
instrumental recording of:
is based on:
Carmen : Prélude (track 6)
is the basis for:
Alla turca (Allegretto) (Savall after Mozart) (track 5)
Child of the Night (track 8)
Dawn (track 19)
Honey Man (track 20)
Night Enchanted (track 8)
Ragtime alla Turca (track 5)
Sex’n fax (track 21)
Turkish Bumble-Bee Rondo (tracks 5, 20)
Turkish March (track 5)
ボスBGM (Parodius) (track 20)
(track 19)
later parody versions:
Mozart avec nous (track 5)
later versions:
orchestration of:
orchestrations:
Clair de lune from Suite bergamasque (orch. Caplet) (track 19)
Clair de lune from Suite bergamasque (orch. Mouton) (track 19)
Clair de lune from Suite bergamasque (orch. Stokowski) (track 19)
Suite bergamasque : III. Clair de lune (orch. A. Reed) (track 19)
Turkish March (track 5)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) (order: 1) (track 7)
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) (order: 1) (track 7)
Concerto for Piano no. 21 in C major, K. 467 (movement) (order: 2) (track 21)
Suite bergamasque, L. 75, CD 82a (for piano) (order: 3) (track 19)
Lakmé: Acte I (order: 4) (track 8)
Carmen Suite no. 1 (order: 6) (track 6)
The Seasons, op. 37a (for piano) (order: 6) (track 17)
recording of:
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 6)
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (track 4)
Полёт шмеля (Flight of the Bumblebee) (track 20)
referred to in medleys:
Relax and Unwind With the Classics (preview) (order: 2) (track 21)
Relax and Unwind With the Classics (preview) (order: 5) (track 8)