Tracklist

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CD 1: Music for a Knight
# Title Artist Rating Length
1 Palastinalied Walther von der Vogelweide 3:07
2 Ja nuls homs pris Coeur de Lion Richard I 2:22
3 A l'entrant d'este que li tens s'agence Blondel De Nesle 4:07
4 Cantiga No. 60, "Entre Av'e Eva" Alfonso X el Sabio 2:19
5 Chominciamento di gioia: Saltarello No. 1 Alfonso X el Sabio 2:35
6 Carmina Burana: Clauso Cronos Alfonso X el Sabio 3:08
7 Cantiga No. 213, "Quen serve Santa Maria" Alfonso X el Sabio 5:42
8 Carmina Burana (excerpts): 8. Alfonso X el Sabio 5:48
9 Carmina Burana (excerpts): 9. Alfonso X el Sabio 3:28
10 O pastor animarum Hildegard von Bingen 1:23
11 Kalenda maya Raimbaut de Vaqeiras 2:24
12 Kyrie eleison Raimbaut de Vaqueiras 1:37
13 Viderunt omnes: Notum fecit … Perotin 3:55
14 Kyrie eleison Hildegard von Bingen 4:27
15 Vetus abit littera Hildegard von Bingen 2:23
16 Alleluia, O virga mediatrix Hildegard von Bingen 3:33
17 Estampie Hildegard von Bingen 2:34
18 Lamento di Tristano: La Rotta Hildegard von Bingen 4:30
19 A la nana Hildegard von Bingen 3:11
20 Guardame las vacas Hildegard von Bingen 2:16
CD 2: Music of the Church
# Title Artist Rating Length
1 Introitus: Adorate Deum [anonymous] 4:02
2 Introitus: Da pacem [anonymous] 4:33
3 Introitus: Dominus illuminatio mea [anonymous] 5:45
4 Introitus: Laetetur cor [anonymous] 4:46
5 Gradualia: Dirigatur [anonymous] 3:09
6 Gradualia: Domine, Dominus noster [anonymous] 3:22
7 Gradualia: Iacta cogitatum tuum [anonymous] 3:54
8 Gradualia: Laetatus sum [anonymous] 3:14
9 Versus Alleluiatici: Adorabo [anonymous] 2:17
10 Versus Alleluiatici: De profundis [anonymous] 3:16
11 Versus Alleluiatici: Deus iudex iustus [anonymous] 2:51
12 Versus Alleluiatici: Laudate Deum [anonymous] 1:49
13 Offertoria: De profundis [anonymous] 3:16
14 Offertoria: Domine convertere [anonymous] 2:17
15 Offertoria: Iubilate Deo universa terra [anonymous] 7:45
16 Offertoria: Iustitiae Domini [anonymous] 4:15
17 Communiones: Circuibo [anonymous] 2:04
18 Communiones: Dicit Dominus: Implete hydrias [anonymous] 3:51
19 Communiones: Dominus firmamentum meum [anonymous] 2:23
20 Communiones: Qui manducat [anonymous] 2:17
21 Communiones: Gustate et videte (Psalmus 33) [anonymous] 3:29
CD 3: Music of the Mediterranean
# Title Artist Rating Length
1 Carmina Burana: Bache, bene venies Anonymous 5:58
2 Carmina Burana: Tempus transit gelidum Anonymous 5:07
3 Carmina Burana: Tempus est iocundum Anonymous 5:58
4 Dinaresade Traditional Syrian 13:50
5 Nevestinko oro Traditional Macedonian 3:17
6 Sei willekommen Herre Christ Anonymous German c. 1394 4:38
7 Kod Bethlehema Traditional Croatian 1:43
8 Koleda na Bozic Traditional Croatian 1:02
9 Düdül Traditional Turkish 2:38
10 Kyrie eleison Christian-Arabic Tradition 3:17
11 De la crudel morte de Cristo (Of the Cruel Death of Christ) Christian-Arabic Tradition 1:59
12 Sâllâlâhu alâ Muhammed Yunus Emre 4:41
13 Peşrev (instrumental) Yunus Emre 1:28
14 Ey Dervişler (Hey, my Dervish brothers!) Yunus Emre 4:57
15 Keh Moshe Traditional Jewish, 12th c. 1:46
16 Robin M’aime (Marion) Adam de la Halle 3:01
17 Motet: Mout Me Fu Grief Li Departir / Robin M’aime / Partare Adam de la Halle 1:26

Credits

CD 1: Music for a Knight

fiddle:
Marco Ambrosini (1997-05-18 – 1997-05-21) (tracks 6, 8)
Thomas Wimmer (viola-da-gamba player) (1997-05-18 – 1997-05-21) (tracks 6, 8)
bagpipe:
Peter Rabanser (1997-05-18 – 1997-05-21) (track 6)
vihuela:
Shirley Rumsey (lutenist) (1991-12-01 – 1991-12-03) (track 20)
lute:
Shirley Rumsey (lutenist) (track 20)
recorder:
Michael Posch (Recorder and flute player) (1997-05-18 – 1997-05-21) (tracks 6, 8)
tambourine:
Wolfgang Reithofer (1997-05-18 – 1997-05-21) (track 6)
mandola:
Peter Rabanser (1997-05-18 – 1997-05-21) (track 8)
harp:
Riccardo Delfino (1997-05-18 – 1997-05-21) (tracks 6, 8)
frame drum:
Katharina Dustmann (1997-05-18 – 1997-05-21) (tracks 6, 8)
choir vocals:
Oxford Camerata (1993-12-14 – 1993-12-15) (tracks 10, 14, 16)
composer:
Richard I (king of England) (track 2)
[traditional] (Special Purpose Artist) (track 19)
Alfonso X el Sabio (tracks 4, 7)
Hildegard von Bingen (tracks 10, 14, 16)
[anonymous] (Special Purpose Artist) (tracks 5–6, 8, 15, 18, 20)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 11)
conductor:
Graham Derrick (tracks 3, 11, 17)
Michael Posch (Recorder and flute player) (track 4)
Alberto Turco (track 12)
Thomas Wimmer (viola-da-gamba player) (track 19)
Jeremy Summerly (conductor) (1993-12-14 – 1993-12-15) (tracks 10, 14, 16)
Graham Derrick (1995-04-18 – 1995-04-20) (tracks 1–2)
Antony Pitts (2004-01-05 – 2004-01-09) (tracks 13, 15)
countertenor vocals:
Bernhard Landauer (countertenor) (1997-05-18 – 1997-05-21) (tracks 8–9)
editor:
Antony Pitts (tracks 13, 15)
engineer:
Geoff Miles (editor and engineer) (tracks 13, 15)
John Taylor (classical producer/engineer) (1993-12-14 – 1993-12-15) (tracks 10, 14, 16)
Gary Cole (classical producer / engineer, founder of Regent Records) (1995-04-18 – 1995-04-20) (tracks 1–3, 11)
Wolfgang Reithofer (track 7)
instruments:
Accentus Austria (track 19)
lyricist:
Richard I (king of England) (track 2)
[traditional] (Special Purpose Artist) (track 19)
mezzo-soprano vocals:
Carmen Cano (mezzo-soprano) (track 19)
orchestra:
Ensemble Unicorn (tracks 4–5)
performer:
Oxford Camerata (1993-12-14 – 1993-12-15) (track 14)
Ensemble Unicorn (tracks 4–5, 18)
Estampie (British ensemble around Graham Derrick) (tracks 3, 11, 17)
In Dulci Jubilo (Italian women's gregorian choir) (track 12)
Ensemble Unicorn (1994-11-24 – 1994-11-27) (track 7)
Estampie (British ensemble around Graham Derrick) (1995-04-18 – 1995-04-20) (tracks 1–2)
Ensemble Oni Wytars (1997-05-18 – 1997-05-21) (tracks 6, 8–9)
Ensemble Unicorn (1997-05-18 – 1997-05-21) (tracks 6, 8–9)
producer:
Judy Lieber (producer) (tracks 10, 14, 16)
Elisabeth Reithofer (tracks 6, 8–9)
Wolfgang Reithofer (tracks 6, 8–9)
Jeremy Summerly (conductor) (tracks 10, 13–16)
soprano vocals:
Manuela Schenale (Soprano) (track 12)
tenor vocals:
Eric Mentzel (tenor) (1997-05-18 – 1997-05-21) (track 9)
vocals:
Tonus Peregrinus (2004-01-05 – 2004-01-09) (tracks 13, 15)
writer:
Blondel de Nesle (track 3)
phonographic copyright by:
HNH International Ltd. (not for release label use!) (1995) (tracks 10, 14, 16)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (1993-12-14 – 1993-12-15) (tracks 10, 14, 16)
Tonstudio W* A* R* in Wien, Austria (1994-11-24 – 1994-11-27) (track 7)
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford, West Yorkshire, England, United Kingdom (1995-04-18 – 1995-04-20) (tracks 1–3, 11)
Kartause Mauerbach in Mauerbach, Niederösterreich, Austria (1997-05-18 – 1997-05-21) (tracks 6, 8–9)
Chancelade Abbey in Dordogne, Nouvelle-Aquitaine, France (2004-01-05 – 2004-01-09) (tracks 13, 15)
part of:
Carmina Amoris Infelicis (order: 1) (track 8)
Cantigas de Santa Maria (number: 60) (order: 25) (track 4)
Carmina Burana (number: 71) (order: 41) (track 8)
Carmina Burana (number: 73) (order: 43) (track 6)
Cantigas de Santa Maria (number: 213) (order: 76) (track 7)
is the basis for:
later parody versions:
later translated versions:
Namenloses Lied (track 1)
later versions:
Teutates (track 1)
part of:
Cantigas de Santa María (tracks 4, 7)
Carmina Burana (original manuscript of poetry, ca. 1230) (part of collection) (track 8)
Carmina Burana (original manuscript of poetry, ca. 1230) (track 6)
recording of:
Guardame las vacas (track 20)
Lamento di Tristano / La Rotta (From a document in the British Library in London (Ms.29987)) (track 18)
Saltarello No. 1 (From a document in the British Library in London (Ms.29987)) (track 5)
Symphonia armonie celestium revelationum: Kyrie (1993-12-14 – 1993-12-15) (track 14)
Symphonia armonie celestium revelationum: O pastor animarum (1993-12-14 – 1993-12-15) (track 10)
Cantiga de Santa María no. 213 "Quen serve Santa Maria" (1994-11-24 – 1994-11-27) (track 7)
A l'entrant d'este que li tens s'agence (1995-04-18 – 1995-04-20) (track 3)
Ja nus hons pris (1995-04-18 – 1995-04-20) (track 2)
Kalenda Maya (1995-04-18 – 1995-04-20) (track 11)
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde) (1995-04-18 – 1995-04-20) (track 1)
Axe Phebus aureo (1997-05-18 – 1997-05-21) (track 8)
Clauso cronos (1997-05-18 – 1997-05-21) (track 6)
Vetus abit littera (2004-01-05 – 2004-01-09) (track 15)

CD 2: Music of the Church

choir vocals:
Nova Schola Gregoriana (1992-08-03) (tracks 1–21)
conductor:
Alberto Turco (1992-08-03) (tracks 1–21)
engineer:
Giovanni Melloncelli (tracks 1–21)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (1992-08-03) (tracks 1–21)

CD 3: Music of the Mediterranean

fiddle:
Marco Ambrosini (1997-05-18 – 1997-05-21) (tracks 1–3)
Thomas Wimmer (viola-da-gamba player) (1997-05-18 – 1997-05-21) (tracks 1–3)
chirimía, kaval, recorder and transverse flute:
Michael Posch (Recorder and flute player) (1994-11-27 – 1994-11-30) (tracks 4–8)
daf [def]:
Ellen Santaniello (1994-11-27 – 1994-11-30) (tracks 4, 7)
bagpipe:
Peter Rabanser (1997-05-18 – 1997-05-21) (tracks 1, 3)
bagpipe, fiddle, gittern, oud [ud], rebec and vihuela [vihuela'd'arco]:
Thomas Wimmer (viola-da-gamba player) (1994-11-27 – 1994-11-30) (tracks 4, 6–7)
bagpipe, nyckelharpa and shawm:
Marco Ambrosini (1994-11-27 – 1994-11-30) (tracks 4–7)
hurdy gurdy:
Riccardo Delfino (1997-05-18 – 1997-05-21) (tracks 1–3)
recorder:
Michael Posch (Recorder and flute player) (1997-05-18 – 1997-05-21) (tracks 1–3)
tambourine:
Wolfgang Reithofer (1997-05-18 – 1997-05-21) (track 1)
triangle:
Wolfgang Reithofer (1997-05-18 – 1997-05-21) (track 2)
Swedish bagpipes [säckpipa], bagpipe [cornemuse bechonnet], harp and hurdy gurdy:
Riccardo Delfino (1994-11-27 – 1994-11-30) (tracks 4, 6–7, 9)
darbuka, davul and tambourine:
Katharina Dustmann (1994-11-27 – 1994-11-30) (tracks 4–5, 7, 9)
chalumeau:
Peter Rabanser (1994-11-27 – 1994-11-30) (track 6)
chalumeau and oud:
Peter Rabanser (1994-11-27 – 1994-11-30) (tracks 4–5, 7–9)
bass drum, cymbal and tambourine:
Wolfgang Reithofer (1994-11-27 – 1994-11-30) (track 7)
arranger:
Ensemble Oni Wytars (tracks 4–5, 7–9)
Ensemble Unicorn (track 6)
composer:
[anonymous] (Special Purpose Artist) (track 3)
[traditional] (Special Purpose Artist) (track 4)
Adam de la Halle (tracks 16–17)
conductor:
Antony Pitts (2003-09-22 – 2003-10-03) (tracks 16–17)
countertenor vocals:
Bernhard Landauer (countertenor) (1994-11-27 – 1994-11-30) (tracks 6–7)
Bernhard Landauer (countertenor) (1997-05-18 – 1997-05-21) (tracks 1, 3)
performer:
Ensemble Oni Wytars (tracks 4–5, 7–15)
Ensemble Unicorn (tracks 6–7, 9)
Ensemble Oni Wytars (1997-05-18 – 1997-05-21) (tracks 1–2)
Ensemble Unicorn (1997-05-18 – 1997-05-21) (track 2)
Tonus Peregrinus (2003-09-22 – 2003-10-03) (tracks 16–17)
producer:
Elisabeth Reithofer (tracks 1–3)
Wolfgang Reithofer (tracks 1–3)
tenor vocals:
Peter Rabanser (1997-05-18 – 1997-05-21) (track 1)
Eric Mentzel (tenor) (1997-05-18 – 1997-05-21) (tracks 1, 3)
vocals:
Ellen Santaniello (1994-11-27 – 1994-11-30) (tracks 4, 7)
writer:
[anonymous] (Special Purpose Artist) (track 6)
[traditional] (Special Purpose Artist) (tracks 5, 7–9)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich, Austria (1997-05-18 – 1997-05-21) (tracks 1–3)
part of:
Carmina Gulatorum et Potatorum (order: 2) (track 1)
Carmina Burana (number: 153) (order: 58) (track 2)
Carmina Burana (number: 179) (order: 62) (track 3)
Carmina Burana (number: 200) (order: 68) (track 1)
is based on:
is the basis for:
Nu zijt wellekome (track 6)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230) (part of collection) (tracks 1–3)
Le jeu de Robin et de Marion (tracks 16–17)
recording of:
Dinaresade (track 4)
Düdül (track 9)
Kod Betleema (track 7)
Koleda na Bozic (track 8)
Nevestinko oro (track 5)
Le jeu de Robin et de Marion: Scene I. "Robins m'aime" (2003-09-22 – 2003-10-03) (track 16)

Release

ASIN:DE: B000Z1LO5O [info]