Tracklist

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CD 1
# Title Rating Length
1 Strangers in the Night 4.65 2:37
2 I've Got You Under My Skin 4 3:43
3 Theme From 'New York, New York' 3:26
4 My Way 4 4:34
5 Somethin' Stupid 2:39
6 When Somebody Loves You 1:57
7 The Way You Look Tonight 3:25
8 More [Theme from Mondo Cane] 3:07
9 I've Got a Crush on You 2:19
10 Moon River 3:21
11 Something 3:35
12 Anytime, Anywhere 2:43
13 The Girl From Ipanema 3:14
14 Quiet Nights of Quiet Stars (Corcovado) 2:47
15 All the Way 4 2:52
16 The World We Knew (Over And Over) 2:49
17 Somewhere In Your Heart 2:29
18 Cheek to Cheek 3:06
19 As Time Goes By 3:18
20 Let's Face the Music and Dance 3:01
21 Tell Her (You Love Her Each Day) 2:43
22 You and the Night and the Music 2:38
23 Mack The Knife 4:53
24 Summer Wind 2:55
25 Blue Moon 2:51
26 Bein Green 2:57
CD 2
# Title Rating Length
1 A Fine Romance 2:14
2 I've Got My Love to Keep Me Warm 2:56
3 I Get a Kick Out of You 3:17
4 Night and Day 3:41
5 Come Fly With Me (Live) 3:00
6 Day by Day 2:41
7 Wave 3:22
8 Desafinado 3:03
9 Forget Domani 2:33
10 Softly As I Leave You 2:53
11 Let's Fall in Love 3 2:14
12 Fly Me to the Moon 2:33
13 Lady Day 3:41
14 I'm Gonna Live Till I Die 1:54
15 Almost Like Being in Love 2:04
16 We Wish You the Merriest 2:20
17 You'd Be So Easy to Love 2:26
18 I Love You 2:19
19 It's Only A Paper Moon 2:20
20 Ol' Macdonald 2:41
21 Not As a Stranger 2:48
22 Don't Change You Mind About Me 2:44
23 Chicago 2:15
24 Nice 'N' Easy 2:46
25 (Love Is) The Tender Trap 2:58
26 It's Always You 2:51
27 Cycles 3:14
28 Gentle of My Mind 3:24
29 Goin' Out Of My Head 2:46

Credits

CD 1

recorded in:
Hollywood, Los Angeles, California, United States (1965-04-14) (tracks 6, 21)
Hollywood, Los Angeles, California, United States (1966-04-11) (track 1)
Hollywood, Los Angeles, California, United States (1967-01-31) (track 14)
Hollywood, Los Angeles, California, United States (1968-12-30) (track 4)
violin:
Victor Bay (1956-01-12) (track 2)
Alex Beller (1956-01-12) (track 2)
Walter Edelstein (1956-01-12) (track 2)
Henry Hill (Violin player) (1956-01-12) (track 2)
Alex Murray (violinist) (1956-01-12) (track 2)
Paul Nero (1956-01-12) (track 2)
Nathan Ross (1956-01-12) (track 2)
Mischa Russell (1956-01-12) (track 2)
Paul Shure (1956-01-12) (track 2)
Felix Slatkin (1956-01-12) (track 2)
cello:
Ennio Bolognini (1956-01-12) (track 2)
Edgar Lustgarten (1956-01-12) (track 2)
Eleanor Slatkin (1956-01-12) (track 2)
drums (drum set):
Irving Cottler (1956-01-12) (track 2)
trumpet:
Harry “Sweets” Edison (1956-01-12) (track 2)
Conrad Gozzo (1956-01-12) (track 2)
Manny Klein (1956-01-12) (track 2)
Vito "Mickey" Mangano (1956-01-12) (track 2)
viola:
Alvin Dinkin (1956-01-12) (track 2)
Maxine Johnson (1956-01-12) (track 2)
Milton Thomas (violist) (1956-01-12) (track 2)
guitar:
George van Eps (1956-01-12) (track 2)
bass:
Joe Comfort (1956-01-12) (track 2)
alto saxophone:
Harry Klee (1956-01-12) (track 2)
Wilbur Schwartz (1956-01-12) (track 2)
piano:
Bill Miller (pianist) (1956-01-12) (track 2)
baritone saxophone:
Morton Friedman (1956-01-12) (track 2)
bass trombone:
George Roberts (american bass trombone) (1956-01-12) (track 2)
tenor saxophone:
Justin Gordon (1956-01-12) (track 2)
James Williamson (Saxophone player) (1956-01-12) (track 2)
harp:
Kathryn Julye (1956-01-12) (track 2)
trombone:
Milt Bernhart (1956-01-12) (track 2)
Jimmy Priddy (1956-01-12) (track 2)
Juan Tizol (1956-01-12) (track 2)
arranger:
Don Costa (US pop music arranger & producer) (track 4)
Paul Anka (track 4)
Ernie Freeman (tracks 6, 21)
Claus Ogerman (track 14)
Nelson Riddle (tracks 2, 12, 15)
Ernie Freeman (1966-04-11) (track 1)
co-producer:
Ray Gilbert (track 14)
composer:
Joe Raposo (track 26)
Irving Berlin (Ren G. May) (1935) (track 18)
Irving Berlin (Ren G. May) (1936) (track 20)
Cole Porter (composer) (1936) (track 2)
Herman Hupfeld (track 19)
Claude François (track 4)
Antônio Carlos Jobim (tracks 14, 14)
Bert Kaempfert (German orchestra leader, producer and songwriter) (track 1)
Nino Oliviero (Italian musician and composer) (track 8)
Riz Ortolani (track 8)
Jacques Revaux (track 4)
Arthur Schwartz (track 22)
Jimmy Van Heusen (tracks 6, 15)
George Gershwin (composer) (1928) (track 9)
Richard Rodgers (1934) (track 25)
conductor:
Nelson Riddle (1953-05-02) (track 12)
Nelson Riddle (1956-01-12) (track 2)
Nelson Riddle (1957-08-13) (track 15)
Ernie Freeman (1965-04-14) (track 21)
Gordon Jenkins (1965-04-14) (tracks 6, 21)
Claus Ogerman (1967-01-31) (track 14)
Don Costa (US pop music arranger & producer) (1968-12-30) (track 4)
engineer:
Lee Herschberg (tracks 4, 14)
lyricist:
Paul Anka (track 4)
Sammy Cahn (tracks 6, 15)
Howard Dietz (librettist) (track 22)
Buddy Kaye (track 14)
Gene Lees (tracks 14, 14)
Joe Raposo (track 26)
Charles Singleton (composer/lyricist) (track 1)
Eddie Snyder (track 1)
Ira Gershwin (1928) (track 9)
Lorenz Hart (1934) (track 25)
Irving Berlin (Ren G. May) (1935) (track 18)
Irving Berlin (Ren G. May) (1936) (track 20)
Cole Porter (composer) (1936) (track 2)
Herman Hupfeld (track 19)
orchestra:
The Nelson Riddle Orchestra (1953-05-02) (track 12)
The Nelson Riddle Orchestra (1956-01-12) (track 2)
The Nelson Riddle Orchestra (1957-08-13) (track 15)
Gordon Jenkins & His Orchestra (1965-04-14) (tracks 6, 21)
previously attributed to:
Gilles Thibaut (track 4)
producer:
Jimmy Bowen (track 21)
Sonny Burke (tracks 4, 14)
Dave Cavanaugh (track 15)
Don Costa (US pop music arranger & producer) (track 4)
Voyle Gilmore (track 2)
Jimmy Bowen (1966-04-11) (track 1)
translator:
Bobby Cruz (track 4)
Norman Newell (track 8)
vocals:
Frank Sinatra (1953-05-02) (track 12)
Frank Sinatra (1956-01-12) (track 2)
Frank Sinatra (1957-08-13) (track 15)
Frank Sinatra (1965-04-14) (tracks 6, 21)
Frank Sinatra (1966-04-11) (track 1)
Frank Sinatra (1967-01-31) (track 14)
Frank Sinatra (1968-12-30) (track 4)
writer:
Lenny Adelson (track 12)
Imogen Carpenter (track 12)
Herman Hupfeld (track 19)
Gil Ward (track 21)
Charles Watkins (track 21)
phonographic copyright by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (1966) (track 1)
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (1969) (track 4)
Masterworks Series (2013) (tracks 2, 12, 15)
publisher:
Champion Music (track 1)
Chappell & Co. (track 2)
Chappell Music (track 2)
Chappell Music Ltd. (track 22)
Chappell (company that specialized in library and production music) (track 19)
Duchess Music Corporation (tracks 14, 14)
EMI Music Publishing (do not use as a release label!) (track 25)
EMI Music Publishing Germany (GmbH & Co. KG) (track 1)
EMI Robbins Catalog Inc. (ASCAP) (track 25)
Eddie Barclay (track 4)
Harms, Inc. (track 22)
Irving Berlin Music Company (tracks 18, 20)
Irving Berlin Music Corp. (tracks 18, 20)
Maraville Music Corp. (tracks 6, 15)
Oracle Music (track 21)
Redwood Music Ltd. (Carlin) (track 19)
Robbins Music Corp. (track 25)
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (track 1)
Spanka Music (track 4)
Spanka Music Corp. (track 4)
Thibout Music (track 4)
Unichappell Music (track 21)
Universal MCA Music Publishing (US film music publisher) (track 1)
Universal/MCA Music Ltd. (not for release label use!) (track 1)
WB Music Corp. (1929-2019) (track 9)
Warner Bros. Music (publisher; do NOT use as release label) (track 22)
Warner Bros., Inc. (not for release label use!) (track 19)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (tracks 2, 4)
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (track 25)
Jonico Music Inc. (1970) (track 26)
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (2017-04-01 –) (track 4)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (1953-05-02) (track 12)
sampled by:
I Did It My Way (explicit) by Jay-Z (track 4)
part of:
Academy Award for Best Original Song (number: 30) (order: 24) (track 15)
arrangements:
Let's Face the Music (for brass band, Richards) (track 20)
cover recording of:
I’ve Got You Under My Skin (1956-01-12) (track 2)
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (1967-01-31) (track 14)
Quiet Nights of Quiet Stars (version #3, lyrics credited to Buddy Kaye & Gene Lees) (1967-01-31) (track 14)
My Way (Frank Sinatra song) (1968-12-30) (track 4)
is the basis for:
Fremde in der Nacht (dt. Version) (track 1)
Mondnacht am Meer (track 25)
My Way (Nina Hagen version) (track 4)
later parody versions:
Five Ways (track 4)
later translated versions:
A mi manera («El fin muy cerca está, …») (track 4)
Blå lys (track 25)
Die Liebe bleibt (track 19)
Kind mot kind (track 18)
Kun aika rientää (track 19)
Le temps qui passe (track 19)
MY WAY (Japanese version of My Way) (track 4)
Men tiden går (track 19)
My Way (A mi manera) (Julio Iglesias version) (track 4)
Privé d’amour (French lyric version of “As Time Goes By”) (track 19)
Sinä, laulu ja yö (track 22)
Étrangers dans la nuit (Strangers in the Night) (track 1)
Путники в ночи (Translation of "Strangers in the Night") (track 1)
我的方向 (track 4)
later versions:
part of:
Born to Dance (track 2)
Casablanca (track 19)
Follow the Fleet (1936 film) (track 20)
The Band Wagon (1953 film) (track 22)
Top Hat (1935 film) (track 18)
Treasure Girl (1928 musical) (track 9)
recording of:
As Time Goes By (the song from “Casablanca”) (track 19)
Bein’ Green (track 26)
Blue Moon (track 25)
Cheek to Cheek (from “Top Hat”) (track 18)
Let’s Face the Music and Dance (from “Follow the Fleet”) (track 20)
More (English translation) (track 8)
Anytime, Anywhere (1953-05-02) (track 12)
All the Way (from “The Joker Is Wild”) (1957-08-13) (track 15)
Tell Her (You Love Her Each Day) (1965-04-14) (track 21)
When Somebody Loves You (1965-04-14) (track 6)
Strangers in the Night (1966-04-11) (track 1)
referred to in medleys:
Top Hat Medley (Charlie Kunz) (order: 1) (track 18)
Follow the Fleet Medley (Charlie Kunz) (order: 2) (track 20)
Top Hat Medley (Charlie Kunz) (order: 5) (track 18)
translated version of:
Comme d’habitude (track 4)
Corcovado (tracks 14, 14)

CD 2

recorded in:
Hollywood, Los Angeles, California, United States (1955-09-13) (track 25)
Los Angeles, California, United States (1960-12-19) (track 11)
Los Angeles, California, United States (1960-12-20) (tracks 1, 17)
Hollywood, Los Angeles, California, United States (1969-02-11) (track 7)
Hollywood, Los Angeles, California, United States (1969-11-07) (track 13)
reeds:
Featuring Plas Johnson (1955-09-13) (track 25)
trumpet:
John Anderson (US jazz trumpeter) (1960-12-19) (track 11)
Don Fagerquist (1960-12-19) (track 11)
John Anderson (US jazz trumpeter) (1960-12-20) (tracks 1, 17)
Don Fagerquist (1960-12-20) (tracks 1, 17)
flute:
Bud Shank (1960-12-19) (track 11)
Bud Shank (1960-12-20) (tracks 1, 17)
vibraphone:
Emil Richards (1960-12-19) (track 11)
Emil Richards (1960-12-20) (tracks 1, 17)
piano:
Bill Miller (pianist) (1960-12-19) (track 11)
Bill Miller (pianist) (1960-12-20) (tracks 1, 17)
trombone:
Frank Rosolino (1960-12-19) (track 11)
Frank Rosolino (1960-12-20) (tracks 1, 17)
additional lyricist:
Alan Bergman (American lyricist) (track 20)
Marilyn Bergman (track 20)
Lew Spence (track 20)
arranger:
Don Costa (US pop music arranger & producer) (track 13)
Eumir Deodato (track 7)
Johnny Mandel (American composer and arranger) (tracks 1, 11, 17)
Nelson Riddle (tracks 20, 20–21, 25)
composer:
Gayle Caldwell (track 27)
Bob Gaudio (track 13)
John Hartford (track 28)
Jake Holmes (track 13)
Fred Fisher (1922) (track 23)
Cole Porter (composer) (1934) (track 3)
Cole Porter (composer) (1936) (tracks 17, 17)
Irving Berlin (Ren G. May) (1937) (track 2)
Bart Howard (1954) (track 12)
Harry Archer (track 18)
Harlan Thompson (track 18)
Antônio Carlos Jobim (tracks 7–8)
Frederick Loewe (track 15)
Teddy Randazzo (track 29)
Axel Stordahl (track 6)
Jimmy Van Heusen (tracks 21, 25–26)
Paul Weston (track 6)
Harold Arlen (1933) (tracks 11, 19)
Jerome Kern (1936) (track 1)
Jimmy Van Heusen (1957) (track 5)
conductor:
Nelson Riddle (1955-03-04) (track 21)
Nelson Riddle (1955-09-13) (track 25)
Nelson Riddle (1960-09-01) (track 20)
Johnny Mandel (American composer and arranger) (1960-12-19) (track 11)
Johnny Mandel (American composer and arranger) (1960-12-20) (tracks 1, 17)
Morris Stoloff (1969-02-11) (track 7)
engineer:
Bill Putnam (1960-12-19) (track 11)
Bill Putnam (1960-12-20) (tracks 1, 17)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (track 26)
Sammy Cahn (tracks 6, 25)
Gayle Caldwell (track 27)
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) (track 8)
Bob Gaudio (track 13)
John Hartford (track 28)
Jon Hendricks (track 8)
Jake Holmes (track 13)
Buddy Kaye (track 21)
Alan Jay Lerner (track 15)
Bobby Weinstein (US songwriter) (track 29)
Fred Fisher (1922) (track 23)
E.Y. Harburg (1933) (track 19)
Ted Koehler (1933) (track 11)
Billy Rose (lyricist and Broadway producer) (1933) (track 19)
Cole Porter (composer) (1934) (track 3)
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (1936) (track 1)
Cole Porter (composer) (1936) (tracks 17, 17)
Irving Berlin (Ren G. May) (1937) (track 2)
Bart Howard (1954) (track 12)
Sammy Cahn (1957) (track 5)
Harlan Thompson (track 18)
orchestra:
The Nelson Riddle Orchestra (1955-03-04) (track 21)
The Nelson Riddle Orchestra (1955-09-13) (track 25)
Featuring Harry “Sweets” Edison (1960-09-01) (track 20)
The Nelson Riddle Orchestra (1960-09-01) (track 20)
premiered by:
Kaye Ballard (1954) (track 12)
producer:
Sonny Burke (track 7)
Dave Cavanaugh (track 20)
Don Costa (US pop music arranger & producer) (track 13)
vocals:
Frank Sinatra (1955-03-04) (track 21)
Frank Sinatra (1955-09-13) (track 25)
Frank Sinatra (1960-09-01) (track 20)
Frank Sinatra (1960-12-19) (track 11)
Frank Sinatra (1960-12-20) (tracks 1, 17)
Frank Sinatra (1969-02-11) (track 7)
Frank Sinatra (1969-11-07) (track 13)
writer:
Lenny Adelson (track 22)
Harry Archer (track 18)
Imogen Carpenter (track 22)
Mann Curtis (track 14)
Al Hoffman (track 14)
Walter Kent (track 14)
Harlan Thompson (track 18)
[traditional] (Special Purpose Artist) (track 20)
Norman Newell (1965) (track 9)
Riz Ortolani (1965) (track 9)
phonographic copyright by:
Masterworks Series (2013) (tracks 1, 11, 17, 20–21, 25)
publisher:
Almanac Music-Inc. (track 12)
Barton Music Corp. (tracks 6, 25)
Bendig Music Corp. (track 8)
Bourne Co. (not for release label use, this is a music publisher) (track 11)
Cahn Music Company (track 5)
Chappell & Co. (track 1)
Chappell & Co., Inc. (tracks 17, 17–18)
Chappell Music (track 3)
Chappell Music Ltd. (tracks 3, 17, 17, 19)
Chappell (company that specialized in library and production music) (tracks 17, 17)
Corcovado Music Corp. (tracks 7–8)
De Valbo Music Co. (track 13)
Devalbo Inc (track 13)
EMI Music (do not use as release label! this is a music publisher) (track 15)
Ensign Music Corp. (track 28)
Fisher Music Corp. (track 23)
Gloccamorria Music (track 19)
Harms, Inc. (track 3)
Hollis Music, Inc. (track 8)
Irving Music (BMI) (track 27)
Irving Music, Inc. (track 27)
Maraville Music Corp. (tracks 5, 25)
PW Arrangements (track 5)
S.A. Music Co. (track 19)
Salabert (track 23)
Sam Fox Publishing Company (publisher; do NOT use as release label) (track 15)
Sergeant Music Co. (track 13)
Universal Music Corp. (USA, affiliated with ASCAP) (track 5)
WB Music Corp. (1929-2019) (tracks 5, 13)
Warner Bros. Music (publisher; do NOT use as release label) (track 19)
Warner Bros Inc. (ASCAP) (not for release label use!) (track 3)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (tracks 2, 5, 17, 17)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (1955-03-04) (track 21)
Capitol Tower in Hollywood, Los Angeles, California, United States (1960-08 – 1960-09) (track 20)
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (1960-12-19) (track 11)
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (1960-12-20) (tracks 1, 17)
arrangements:
Fly Me to the Moon (Quincy Jones arr.) (track 12)
Fly Me to the Moon (arr. Mats Hålling) (track 12)
春風 (track 12)
cover recording of:
Let’s Fall in Love (1960-12-19) (track 11)
A Fine Romance (from “Swing Time”) (1960-12-20) (track 1)
Easy to Love (1960-12-20) (track 17)
Wave (English lyrics) (1969-02-11) (track 7)
is based on:
Desafinado (track 8)
is the basis for:
Tag für Tag (track 6)
later parody versions:
It's Only a Paper Moon (parody version) (track 19)
later translated versions:
Das wird immer sein (track 28)
En d’autres mots (In Other Words – Fly Me To The Moon) (track 12)
Volons vers la lune (track 12)
later versions:
Est-ce par hasard ? (Let's Fall in Love) (track 11)
part of:
Anything Goes (number) (tracks 3, 17, 17)
Born to Dance (tracks 17, 17)
Brigadoon (complete musical) (track 15)
Swing Time (film) (track 1)
recording of:
Almost Like Being in Love (from “Brigadoon”) (track 15)
Chicago (That Toddlin' Town) (track 23)
Come Fly With Me (track 5)
Cycles (track 27)
Day by Day (track 6)
Fly Me to the Moon (track 12)
Forget Domani (from "The Yellow Rolls Royce") (track 9)
Gentle on My Mind (track 28)
I Love You (track 18)
It’s Always You (track 26)
Slightly Out of Tune (Hendricks/Cavanaugh version) (track 8)
Not as a Stranger (1955-03-04) (track 21)
(Love Is) The Tender Trap (1955-09-13) (track 25)
Ol' Macdonald (1960-09-01) (track 20)
Easy to Love (1960-12-20) (track 17)
Lady Day (Frank Sinatra song) (1969-11-07) (track 13)
referred to in medleys:
I Love You (track 18)
Swing Time Medley (order: 1) (track 1)
version of:
Wave (original instrumental) (track 7)